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by Melty Smiler

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1.
time line featuring Alice Babs on guitar 03:04
lyrics
who’s a spooky motherfucker I’m a spooky motherfucker on some now you see me now another change up lane fast trucker I’m the eye in the night, night night light bright you are probably somebodies hero like an arrow flying true the bow released and through and through tearing the air and pinning the moment to true winding circling vine and the vine is the line and the line is the time time line time line time line time line time line time line vine vine twining winding dream time lining lining clouds with silver linings dropping silver moisture marks resistance and cools linguistics taming tempered posture elastic caustic and raucous living life on a boat inherently coated moisture misted by mateys a built bottle rocking and singing in snatches burst tongues meets molasses and pursed lips pursuing all pious and potent the sworn sacred list grasped silo-ed synapses torn shorn worn forlorn down dragged red flagged time line time line worn worn worn torn forlorn down dragged red flagged time line time line time line time line
2.
intervening 03:54
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in the garden of the righteous rapacious will contorts they’re doing it for sport takes time to see the dying vine drying crispy corpus a waning opus drifting idol rifting title grifting ladle lifting bible shifting cradle in the garden of the righteous with tunnels underneath with ladders to the surface popping head above amongst the beans it takes time to perceive the mildew as it creeps a creeping beat a sleeping fleet a breathing cheat a tilting treat a leaping feat in the garden of the righteous where time is but one flower and a cloud above emits its love and drops a dripping shower not wasted wants not what's not brought outside of time no planted line planting a line raising a sign growing a pine souping a fine serving a brine in the garden of the righteous in the garden of forever of all times lent and linked and likened to the follow field moreover it creeps in sideways perfected its segue-ways blowing wind controller controlling blow for those who know investing throw drifting the snow winding the bow in the garden of the righteous the field around the tower the flowers in the field smudge dense the aroma thick and rich and wafting taking time to shift sublime an interval a space between the eyes intervening intervening intervening intervening intervening intervening intervening intervening intervening intervening
3.
conversion/diversion 03:31
lyrics
zarathustra there they said it zarathustra then they wet it gettin loose ta make em get it makin juice ta mellow they gentle I we they them then they I am then I say when page to pen pen pen personship and they them ankles praying plying cursed flames thrown there they said it there they wet it crumbled list no time diversion making they them long conversion trap trap trap trap trap trap trap trap trap zarathustra there they said it zarathustra then they wet it gettin loose ta make them get it making noose ta mellow they temple I can’t stay them read from page penned then they i am then they say when pen personship and way when frame gold dusty under tumbled tangled crumbled list no time diversion cooking in amalgams version baking in the cake conversion trap trap trap trap trap trap trap trap trap zarathustra there they said it zarathustra then they wet it gettin loose ta make them get it making list them sticking pin in paeans and process then they I am then they they are pen personship and cool they cold slow coursing water down the sides they they’re on ride time's side coursing causing grave dance tide they them know it’s growing up trap trap trap trap trap trap trap trap trap zarathustra there they said it zarathustra then they wet it gettin loose ta make them get it crumbled list no time conversion crumbled list no time diversion
4.
Terence Mckenna 01:02
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5.
cool water 01:17
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cool water
6.
this package came with no contents 02:06
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this package came with no contents legs for days/a strong thorough fit and no guarantee self same made tracked figs in the pit the recourse is the main course timed out to the millisecond for play back at a later date would never ingratiate itself to the now power but for the wow power of now; a flower a flow and a tome or if you like; tower the tower card is all that i know i build it up fast and watch it implode but a shuffled deck cords a speckled neck but safety song and long caught four prong fork songs to show the way past grey day malaise which never really was to show the ways of stayer stays which were never really forgotten Meet me mesmerized by the deep neat crease in the earth brown and so soft, we can dig with our fingers loamy crumbles, low thunder above predicting mud so we dig dig and find a casing for the body under earth to be held by the earth and soothed by its brown warmth here, breathe through this straw here and survive and here are swimming goggles to protect the eyes and make sure to lacquer your nails to protect from dirt rasp as we dig dig
7.
capitalist pipeline dream abeyance 01:45
lyrics
capitalist pipeline dream abeyance slowing stopping heeding creed herding the herd and blowing the weed harshing the harshness avoidance of creeds doing is deeds a punishment’s needs down a dark alley dripping solvent stripping paint in valley thunder rolls revolver tantalizing pulling blunder or your contents and brains container thorough wanted waning blender and there’s something inside it’s a sense and besides there’s a list and a dry socket twist of the jointed in bliss and the blunted in blunders unravelling magic is made up of this and conveyance of this is turned over amiss and the read creed of doe weed a blistering kiss and the tangle of wayward and a glisten of thread a hold holding pattern a glad dad bad sad wag of the head
8.
me nesty 01:32
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me nesty me me me nesty it turned out blued out quick dry wet the mess d i fret not met testy temper labor button blue true true true blue blue and through through denim deep dipped blue too blue to see through you’d see through too if only you could see true never bottled from the bottom from the score to the source I got em me nesty
9.
strange river 02:39
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strange river intact but estranged in the blue murky fluid this river is strange but I guess I can do it this river is strange full up to the last drop wrist pop as I paddle canoe top to boat top oh look theres a dock so I pull up alongside ridden the ride so I pull up along side and the river is strange and I’m now here beside it lines written right tight lines written long side it and walking feet beat a path t'ward full neat and here I’ve arrived and here I’ve derived a thought on the rocks by the river at night by the river in dim light this river is strange and up pops a curtain back drop shore crop'd just totally neat the river with back drop and the river is strange and the surface is swirling and I look really close and the surface is swirling and a thing it emerges in the river in dim light its so totally clear even seeing with half sight and the river is stranger and the revelation a wonder to see in the middle pointing straight out the water a thing so potential so amazing positioned that the river is stranger than before it existed
10.
ostrich 02:47
lyrics
grief is a hammer a hammer a hammer it welts when it currupts the skin with blunt force its true its true its true to its course its true to its course itll take no shorts or losses it flosses it makes central bus stations look like colossus and i am but an ostrich in my room head buried dont know what to make my thoughts are scary sometimes consequence of tribalized mind grief is a hammer laid down in the sham i see no plan that can supplant my own plan its a long con restless dealing double faced people on the internet creating division you thought youd need some persuasion well fuck that schism fuck that schism grief is a hammer im laid out in the slammer slammer
11.
freak in the streets 02:49
lyrics
freak in the streets bring on the easy meets I've got a story to tell ya oh yeah its helta skelta freak in the streets there was a pile and a plow and oh yeah i knocked the pile down to a flat sifted shaken surface all laden leveled blade end down down down round rolling town plowing could not see the difference here from way over there or here the plaintive voice tell of whats really here thought there was a connection between two poles interfacing a dispersion divided round rolling town plowing freak in the sheets and I wake wake wake ping ponging around station to station location location seeking elocution to shift the sadness brought and training diction taking dictation holy dick nation made faces fly before the eyes made holy notions of who despised the eyes first no screen interlaced video adaptor con corn faced and yellowing from age please please me please please tease tease me cause when it’s right you know and sourdough’s face at a long languid pace is melting into a smile freak in the streets please please see that you are diving and I am crying oooooh sweet release
12.
attentions 02:03
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that which we give our attentions to is that which we give power to overall and that which we give our time to gains more power over all cause time is money and money’s power at least on a quantifiable layer at least in one paradigms value structure a slow product conveyer and we know we know now, we know that within the base layer there’s something that’s greater that gives back its flavor to a sustenance protracted brought back from refracted light in the lens cast off to the side where it lit on the wall and cast us a shadow and the shadow showed shape and defined the design and we look on and gaze at the long lonesome body that the way and the wall made long loners decree and wide open the face that smiles upon power and shakes head at the lack of thinking and the blind contortion body bending away from will or nature’s bidding and open budding open blooming on the internet a mind that which we give our attentions to is that which we give power to overall and that which we give our time to gains more power over all cause time is money and money’s power at least on a quantifiable layer at least in one paradigms value structure
13.
quid pro quota 02:07
lyrics
and left and to the right do for ya and porous a factual night opens for us and yet I’ve met my quid pro quota looking upon a screen’s face upon which the switch firings morph from fast twitch to slow twitch so devo sky daddy what you got for me lately and whats become of us slanging pixels day daily a fine pixel line is no finer than vector a sworn cutting pasting sky daddy sky baby and left and to the right do for ya and wrapped around our necks the weight pain of devo ad fortuna or gain of devo sub fortuna virtue or vice signals flare up around ya so devo sky daddy what you got for me lately and whats become of us slanging pixels day daily a fine pixel line is no finer than vector a sworn cutting pasting sky daddy sky baby and left and to the right do for ya and porous a factual night opens for us and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota and yet I’ve met my quid pro quota
14.
quixotic pages 04:26
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traversing traversing I’ve heard something’s transpiring so I’m walking, walking drawn ever upon and opened by whatever is divining driving and driving the wedge deeper issues drawn from quixotic pages or the border around the tapestry hung above the bed The artists must slip sideways at times and take breaks from the fray and look upon us all as children even upon themselves in the same way 12 minutes from 8 rose late yesterday’s day, slow, low steady hum productive internal flow captured audio tools extra connected a path to water marked with gold ribbon and now show me your snow your mountain perhaps I know my mountain capped in snow nothing is lost in trying perhaps steadily plying and prying is the way the will is evidenced perhaps relaxation sedative It’s fighting fury’s fated flurry dissipating but detailed and in transmogrification from one shape to the next will be the way and the shadow is that which we have not yet turned over to non resistance maybe, but probably that is part I think I found a mom and pop art part a piece or slice of peace or peach and just relegated shadow in song to send the demon along on a drift of wave dissipating but detailed and in transmogrification opal dance cot loose jiggle under heft and just outside and in the periphery that vague opalescence a coalescing opulence? battery burn of copal on a charcoal disc turnt and burnt un tinted waiting pure burn Calm morning clouded and no bird awake to sing through the still unstirred air I hear a person say sit, sit, sit, sit, they pause, sit, sit. must be a puppy I'm ready. There must be a small part piece of me here somewhere or at least a part that is small In any case I’ll honor that and as gregarious as I have been I’ll hold onto that part of me and attempt at its truth with others I will always hold it inside of me present as I am with them and that part it'll be my way in into experience endeavor aesthetics until I forget Came in blast force and lost once I crossed the threshold there is a name for that immediate regrouping after passing through a door but I’ve forgotten it as the list of confused purposes gets written and some excised or crossed out a clarity intervenes where transportation must be arranged a clarity intervenes where honesty forms trust where purposes cross over into action and action dissolves slowly into resting action and becomes monotonous but not empty of the first fruited passion before entropy All plants sacrifice and play-face entropy to seed the earth and all sums expand all sums expand McKenna’s theory-novelty march
15.
throwing rocks at the wall 02:28
lyrics
if you keep throwing rocks at the wall you’ll chip the paint in rock struck pockets if you keep throwing rocks at the wall you’ll hit the target slowly degrade the paint that was painted on by target corporate if you keep throwing rocks at the wall it’ll slowly crumble over years and bit by bit it’ll fall so graceful and in its place we could raise a tower a new city center for the wall destroyers and we could freely trade and reconcile our differences and belong conjoined within our human decency but human depravity is thick thick thick and each depraved being is a brick that’s building a wall so we must start inside us with an eye roving madly to seek and search for resistances root and throw rocks at the walls inside us and proof proving through proof and sipping on breath we could sing our hearts out and be merry dancing and some loving romancing and laying on grass or buried in sand up to our necks until the tide reveals us by washing the sand completely away that had once fully buried us and day by day the sand was carried away if you keep throwing rocks at the wall you’ll chip the paint in rock struck pockets if you keep throwing rocks at the wall you’ll hit the target slowly degrade the paint that was painted on by target corporate if you keep throwing rocks at the wall it’ll slowly crumble over years and bit by bit
16.
Helen Palmer 02:49
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17.
Halloween Song feat. Alice Babs 02:56
lyrics
terrible fright fright fright fright night Halloween night terrible fright fright fright bright light halloween night trick or treat night night on the block oh tonight we drag our bodies up and down the road for candy all night one year there was about 2 inches of snow one year there was no candy in the whole town
18.
why not 00:37
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why not

credits

released February 9, 2019

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Melty Smiler Fairfield, Iowa

BUY tapes at illuminated paths
and warm gospel

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